This Shader uses the alpha value of the applied texture to clip parts of the mesh that fall below a specified ‘dissolve amount’ property. The outline of the mesh can be given a custom color and thickness. An artist can manually paint the alpha channel of the texture to achieve a desired dissolve pattern as darker pixels dissolve earlier than lighter pixels.
This Shader uses the R, G and B components of the vertex color on a mesh to sway corresponding vertices via three sets of user defined direction, amplitude and frequency values – one for each component. The RGB values also linearly affects the frequency of sway. Using RGB values allows the artist to paint complex patterns for the mesh to sway. This can be used to create dynamic objects like foliage, flags, curtains etc.
This might be blatantly obvious for experienced game TAs but since I had a hard time figuring this out when I started, I’ll leave this right here…
In most current engines, for a given animated entity, an animation is ‘played’ on a base rig. The base rig is the rigged mesh file with no animation data. In the engine, the animations are applied onto the base rig and what you see in game, will be an instance of this base rig. This base rig should ideally contain only the most essential objects required for it to run in game. These are just the bones and the skinned mesh. On the other hand, a rig that is handed over to animators would contain several control curves and dummy objects with complex relations to each other which drive the bone hierarchy through constraints( and not through parenting ). It is important to keep the hierarchy of these drivers completely separate from the bone hierarchy to observe somewhat of an ‘abstraction’.
So ideally, this is how the hierarchy in your rig should look like (3Ds Max schematic view for a simple Turret rig). When the rig is exported to engine, it should be stripped of all control curves (an animator level abstraction)
This kind of abstraction provides various advantages:
Here’s a setup to create a forearm twist bone ..
The twist bone is parented to the forearm bone and the X rotation of the twist bone is a script controller which has the following formula:
rot = (wrist.transform*(inverse foreArm.transform)).rotation
rotEuler = quatToEuler(rot) order:2
rotEuler.x/57.2952
Here, foreArm is the forearm bone node and wrist is the wrist bone node. The formula basically gets the transform of the the wrist bone with respect to the forearm bone and extracts the x rotation (local X axis points along the bone and z points up for all three bones). This is cleaner than a Look At constraint method and also does not use the controller of the wrist/forearm bones directly (which usually have a weighted orient constraint for FK/IK switching). This method does cause flipping when the wrist rotated more than 90 degrees sideways – an unlikely situation for wrists ( If you are getting the flipping on up and down rotation, try changing the rotation order in the the quatToEuler method )
If there are multiple twist bones, they can be orient constrained to the first twist bone and the forearm bone, with gradually decreasing weights of the twist bone’s influence as you move up closer to the elbow.